Fullmetal Alchemist: Brotherhood Episode 5: Rain of Sorrows
Oshimeter
54 Fans
READTHROUGH
Scar's Soft Spot
The red curtains part, revealing Scar in an unexpected moment of tenderness, captivated by the tiny panda, Xiao-Mei. His appreciation is cut short when May Chang rushes in, claiming her pet. As they vanish, the title appears, leaving Scar stranded on stage, reaching out for the adorable creature he momentarily cherished.
Scar's Uncharming Feature
May Chang, with her Alkahestry, expertly heals Scar's leg, a blue light indicating her skill. However, her enthusiasm goes too far, accidentally erasing his iconic facial scar. Scar is aghast, lamenting the loss of his 'most charming feature' as he stares at his smooth reflection. May, flustered, desperately offers to 'put it back,' a frantic attempt to mend a wound far deeper than skin.
Havoc's Blind Date
Jean Havoc, oblivious as ever, enjoys a romantic beach stroll with 'Solaris, the disguised Homunculus Lust. She shows him pictures of her 'brothers,' the monstrous Homunculi, which he entirely misses. Her deadly 'Ultimate Spear' claws, used to slice a radish with terrifying precision, impress him as mere cooking speed. Meanwhile, Breda back at HQ reports a 'solid lead' on the enemy, crediting Havoc's staggering lack of perception.
Mustang in the Trash
Roy Mustang, attempting to project authority in a narrow alley, confronts Maria Ross. His posturing ends abruptly as Ross delivers a brutal kick directly to his face, sending him flying. He lands ignominiously in a 'Combustible Trash' bin, a pathetic heap bleeding from the nose. Edward Elric observes the scene, utterly baffled by his superior's sudden humiliation, as Mustang whimpers for help.
Breda's Bad Critique
In their office, Breda and Mustang review a newspaper about Maria Ross's arrest, a grave matter. Instead of strategy, Breda fixates on her appearance, critiquing her short hair and muscular build. Mustang's growing annoyance is palpable as Breda continues his shallow, irrelevant commentary. The scene fades to credits with a dancing cow, maintaining the absurd, trivial focus.

