guts_the_swordsman_189★★★★☆EP 12Seeing Caries finally get that bead bow made the whole episode because she looked so happy wearing it and it really showed how much she cares about her mama Ame
One girl with zero self-control around sweets eats too many and grows a cavity that's alive, calls her 'Mama,' and starts rearranging her teeth like bedroom furniture. That's the premise of Candy Caries, and it's exactly as unhinged as it sounds. Ame is a kid who can't say no to candy, which would normally just mean a rough dentist visit. Instead, she ends up with Caries — a tiny, chaotic cavity creature living rent-free in her mouth, treating her molars like a personal apartment and occasionally hijacking her entire body. Caries has zero boundaries and all the energy of a toddler on a sugar high, while Ame is stuck playing the exhausted parent she never signed up to be. It's a weird little mother-daughter dynamic where the "daughter" is literally a dental disease. The whole thing is done in stop-motion by Tomoki Misato, the director behind Pui Pui Molcar, using this handmade world built from plastic board and acrylic that gives everything a tactile, craft-project feel. If you liked Pui Pui Molcar's offbeat charm or the candy-coated aesthetic of something like Yumeiro Patissiere, this hits a similar sweet spot — just way more chaotic. Wit Studio is producing, which is a pretty interesting pairing with Misato's style. It's a short-form slapstick comedy that leans fully into the absurd. Low commitment, high weirdness, genuinely creative animation. Pretty easy sell if you're into that kind of thing.