Fullmetal Alchemist: Brotherhood Episode 9: Created Feelings

The episode begins with Riza Hawkeye demonstrating her lethal precision. She throws a clay target into the air, shoots it cleanly with a rifle, and then offers a crisp military salute. The brief "Ta-da!" is her only utterance, a stark contrast to her deadly skill. This disciplined opening sets a tone of sharp execution, even for comedy.

Riza Hawkeye starts by giving professional advice to Roy Mustang, including a necessary warning about Scar. This professional demeanor quickly crumbles, however, into an aggressively motherly litany. She lists chores, personal hygiene reminders, and even warns him against taking in stray dogs, completely overwhelming the poor man. Roy's distress is palpable, marking a sudden, comedic shift in their dynamic.

King Bradley and Mrs. Bradley sit with their adopted son, Selim, the king showering him with rough affection. Mrs. Bradley explains their adoption, a seemingly normal family moment. But Selim's eyes suddenly glow red, and his telepathic threat silences the king instantly. Bradley's terrified apology is swift, offering a chilling glimpse into a darker dynamic beneath the surface.

Solf J. Kimblee, believing he has cornered Dr. Marco, gloats in a dark warehouse. He reaches for his captive, only to discover it is Yoki, covered in garish makeup. Kimblee's scream of horror is genuine, a raw outburst of disgust. Other soldiers arrive to find Yoki beaten and marked with kisses, leaving the audience to imagine the appalling encounter.

In a tense industrial setting, Major Miles and Edward Elric engage in a heated, serious debate about national actions and historical grievances. The argument builds, reflecting deep-seated conflicts between their peoples. Then, without warning, Miles breaks into a childish dance, taunting Edward with playground insults. Edward and Alphonse are left utterly speechless, their fury turning to bewildered disgust at the abrupt immaturity.

The episode closes with a familiar sight: Hiromu Arakawa's cow avatar dancing energetically. Production credits roll across the screen, providing a cheerful end to the comedic segments. The red curtains draw shut, marking the conclusion of this theatrical performance. It is a lighthearted, self-referential conclusion to the short skits.